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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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220322b xxu||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780198816430 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
822.33 |
Item number |
SKI |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Skinner, Quentin |
245 ## - TITLE STATEMENT |
Title |
Forensic Shakespeare |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Name of publisher, distributor, etc |
Oxford University Press, |
Date of publication, distribution, etc |
2018 |
Place of publication, distribution, etc |
Oxford : |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xii, 356 p. ; |
Dimensions |
24 cm |
365 ## - TRADE PRICE |
Price amount |
19.99 |
Price type code |
GBP |
Unit of pricing |
105.90 |
490 ## - SERIES STATEMENT |
Series statement |
Clarendon lectures in English |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references and index. |
520 ## - SUMMARY, ETC. |
Summary, etc |
'Forensic Shakespeare' illustrates Shakespeare's creative processes by revealing some of the intellectual materials out of which some of his most famous works were composed. Focusing on the narrative poem 'Lucrece', on four of his late Elizabethan plays - 'Romeo and Juliet', 'The Merchant of Venice', 'Julius Caesar' and 'Hamlet' - and on three early Jacobean dramas, 'Othello', 'Measure for Measure' and 'All's Well That Ends Well', Quentin Skinner argues that there are major speeches, and sometimes sequences of scenes, that are crafted according to a set of rhetorical precepts about how to develop a persuasive judicial case, either in accusation or defence. Some of these works have traditionally been grouped together as 'problem plays', but here Skinner offers a different explanation for their frequent similarities of tone. There have been many studies of Shakespeare's rhetoric, but they have generally concentrated on his wordplay and use of figures and tropes. By contrast, this study concentrates on Shakespeare's use of judicial rhetoric as a method of argument. By approaching the plays from this perspective, Skinner is able to account for some distinctive features of Shakespeare's vocabulary, and also help to explain why certain scenes follow a recurrent pattern and arrangement. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Great Britain |
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Topical term or geographic name as entry element |
Conduct of court proceedings |
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Topical term or geographic name as entry element |
Shakespeare, William, 1564-1616 |
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Topical term or geographic name as entry element |
Literary style |
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Topical term or geographic name as entry element |
Brabantio |
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Topical term or geographic name as entry element |
Cicero |
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Topical term or geographic name as entry element |
Claudius |
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Topical term or geographic name as entry element |
Desdemona |
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Topical term or geographic name as entry element |
Elocutio |
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Topical term or geographic name as entry element |
Hamlet |
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Topical term or geographic name as entry element |
Lago |
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Topical term or geographic name as entry element |
Julius Caeser |
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Topical term or geographic name as entry element |
Merchant of Venice |
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Topical term or geographic name as entry element |
Othello |
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Topical term or geographic name as entry element |
Polonius |
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Topical term or geographic name as entry element |
Quintilian |
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Topical term or geographic name as entry element |
Romeo, Juliet |
|
Topical term or geographic name as entry element |
Shylocke |
|
Topical term or geographic name as entry element |
Judicial rhetoric |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
|
Item type |
Books |