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| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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230413b xxu||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781350104907 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
750.1 |
| Item number |
GAI |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Gaiger, Jason |
| 245 ## - TITLE STATEMENT |
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| Title |
Philosophy of painting : ancient, modern, contemporary |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Name of publisher, distributor, etc |
Bloomsbury Academic, |
| Date of publication, distribution, etc |
2022 |
| Place of publication, distribution, etc |
London : |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
viii, 219 p. ; |
| Other physical details |
ill., ( b & w and col.) |
| Dimensions |
22 cm |
| 365 ## - TRADE PRICE |
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| Price amount |
21.99 |
| Price type code |
GBP |
| Unit of pricing |
104.20 |
| 490 ## - SERIES STATEMENT |
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| Series statement |
Bloomsbury aesthetics |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references and index. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
What can philosophy reveal about painting and how might it deepen our understanding of this enduring art form? Philosophy of Painting investigates the complex relationship between the painted surface and the depicted subject, opening up current debates to address questions concerning the historicality of art. Embracing contemporary painting, it examines topics such as the post-medium condition and the digital divide, and the work of artists such as Lynette Yiadom-Boakye, Amy Sillman and Katharina Grosse. Illustrated with 24 colour plates and highly readable throughout, Philosophy of Painting provides a philosophically rigorous defence of the relevance of painting in the 21st century, making an original contribution to the major ideas informing painting as an art. Here is a clear and coherent account of the contemporary significance of painting and the pressures and possibilities that distinguish it from other art forms. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Aesthetics |
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| Topical term or geographic name as entry element |
Abstract art |
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| Topical term or geographic name as entry element |
Barroque art |
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| Topical term or geographic name as entry element |
Contemporary painting |
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| Topical term or geographic name as entry element |
Cubism |
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| Topical term or geographic name as entry element |
Digital media |
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| Topical term or geographic name as entry element |
Gombrich,Ernst |
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| Topical term or geographic name as entry element |
Illusion theory |
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| Topical term or geographic name as entry element |
Linear style |
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| Topical term or geographic name as entry element |
Mimesis theory |
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| Topical term or geographic name as entry element |
Non-representational paintingn |
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| Topical term or geographic name as entry element |
Optical illusion |
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| Topical term or geographic name as entry element |
Picasso, Pablo |
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| Topical term or geographic name as entry element |
Post-Impressionism |
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| Topical term or geographic name as entry element |
Renaissance art |
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| Topical term or geographic name as entry element |
Representational seeing |
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| Topical term or geographic name as entry element |
Twofoldness |
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| Topical term or geographic name as entry element |
Visual perception. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
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| Item type |
Books |