Nagarik : Ritwik Ghatak's partition quartet, vol. 1: the screenplays (Record no. 31752)

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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9788194126041
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.4372
Item number GHA
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Ghatak, Ritwik
245 ## - TITLE STATEMENT
Title Nagarik : Ritwik Ghatak's partition quartet, vol. 1: the screenplays
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Name of publisher, distributor, etc Tulika Books,
Date of publication, distribution, etc 2021
Place of publication, distribution, etc New Delhi :
300 ## - PHYSICAL DESCRIPTION
Extent 127 p. ;
Other physical details ill., (b & w),
Dimensions 25 cm
365 ## - TRADE PRICE
Price amount 375.00
Price type code INR
Unit of pricing 01
520 ## - SUMMARY, ETC.
Summary, etc The journey of Ritwik Ghatak's Nagarik from the shooting of the film to its release was an extremely checked one. While it was shot in 1952, three years before Satyajit Ray's Pather Panchali, it was released only twenty-five years later, in 1977, after Ghatak's death in 1976. Set in Calcutta in the immediate aftermath of the Partition, the film chronicles the struggles of a family from North Bengal as they desperately strive to survive in a metropolis that is unable to address the necessities of thousands of people pouring in from across the border. The protagonist Ramu, like hundreds of other young men, struggles to find that elusive job which will enable him to stabilize his disintegrating family. Unemployment, starvation, incessant dislocation, and the yearning for stability and a home mark the lives of the families in this film. While there is no explicit mention of the Partition, the circumstances, poverty, survival struggles, desperation, and the intense and desirous memory of a different past – all indicate that it is Partition that is the structuring absence of this film. Ghatak was to return to the theme in three other films that have been known as the Partition Trilogy: Meghe Dhaka Tara, Komal Gandhar and Subarnarekha. With this recreation of the screenplay of Nagarik, it will be clear that Ghatak's Partition films, those that deal with the lives of refugees in Calcutta directly, or as in this one analogically, form a quartet and not a trilogy. Nagarik also represents an enticing historiographical idea, the 'what if' of Indian film history: perhaps if it had been released in 1952 when it was made, and before Pather Panchali, the accounts of Indian art cinema that have privileged the Ray film would have been different, and Ghatak may have been accepted as an important Indian author in his lifetime. The screenplay of Nagarik in this volume has been recreated from the released version of the film on DVD and the published text of Nagarik by Ira Bhaskar and Rani Ray.
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Family Drama
Topical term or geographic name as entry element Fiction
Topical term or geographic name as entry element Social condition
Topical term or geographic name as entry element Economic condition
Topical term or geographic name as entry element Bengali film.
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Ray, Rani
Relator term tr.
Personal name Bhaskar, Ira
Relator term ed.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Item type Books
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Permanent location Current location Date acquired Cost, normal purchase price Full call number Barcode Date last seen Koha item type
          DAIICT DAIICT 2023-03-31 375.00 791.4372 GHA 033684 2023-04-17 Books

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