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Structure and form in design : critical ideas for creative practice

By: Hann, Michael.
Material type: materialTypeLabelBookPublisher: London : Bloomsbury, 2012Description: xx, 180 p. ; ill. (some col. with b & w), 25 cm.ISBN: 9781847887429.Subject(s): Design methodology | Graphic design | Design philosophyDDC classification: 745.4 Summary: This book provides a critical examination of structure and form in design, covering a range of topics of great value to students and practitioners engaged in any of the specialist decorative arts and design disciplines. The complexities of two-dimensional phenomena are explained and illustrated in detail, while various three-dimensional forms are also discussed. In the context of the decorative arts and design, structure is the underlying framework, and form the resultant, visible, two- or three-dimensional outcome of the creative process. Whether hidden or visually detectable in the final design, structure invariably determines whether or not a design is successful in terms of both its aesthetics and its practical performance. Hann successfully identifies various geometric concepts, and presents and discusses a number of simple guidelines to assist the creative endeavors of both accomplished and student practitioners, teachers and researchers.
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Books 745.4 HAN (Browse shelf) Available 034585

Includes bibliographical references and index.

This book provides a critical examination of structure and form in design, covering a range of topics of great value to students and practitioners engaged in any of the specialist decorative arts and design disciplines. The complexities of two-dimensional phenomena are explained and illustrated in detail, while various three-dimensional forms are also discussed. In the context of the decorative arts and design, structure is the underlying framework, and form the resultant, visible, two- or three-dimensional outcome of the creative process. Whether hidden or visually detectable in the final design, structure invariably determines whether or not a design is successful in terms of both its aesthetics and its practical performance. Hann successfully identifies various geometric concepts, and presents and discusses a number of simple guidelines to assist the creative endeavors of both accomplished and student practitioners, teachers and researchers.

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