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Image, icon, economy : the Byzantine origins of the contemporary imaginary

By: Mondzain, Marie-José.
Series: Cultural memory in the present.Publisher: Stanford : Stanford University Press, 2004Description: xiii, 264 p. ; ill., 24 cm.ISBN: 9780804741002.Subject(s): Semiotics | Signs and symbols | Artificial image | Divine | Emperor | Christological | Eucharist | Ghost Story | Iconic Economy | Church fathers | ConsubstantialityDDC classification: 306.47 Summary: The barest awareness of the ubiquity and influence of the media today provides proof enough that our fate is in the hands of the image. But when and how was this fate sealed? Image, Icon, Economy considers this question and recounts an essential thread in the conceptualization of visual images within the Western tradition. This book argues that the extraordinary force of the image in contemporary life--the contemporary imaginary--can be traced back to the Byzantine iconoclastic controversy of the eighth and ninth centuries. It was during this period that the church was compelled to produce an account of the theological status of the religious image that would nevertheless not be open to even the slightest suspicion of idolatry. The solution arrived at was the dual doctrine of the image.
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Includes bibliographical references.

The barest awareness of the ubiquity and influence of the media today provides proof enough that our fate is in the hands of the image. But when and how was this fate sealed? Image, Icon, Economy considers this question and recounts an essential thread in the conceptualization of visual images within the Western tradition. This book argues that the extraordinary force of the image in contemporary life--the contemporary imaginary--can be traced back to the Byzantine iconoclastic controversy of the eighth and ninth centuries. It was during this period that the church was compelled to produce an account of the theological status of the religious image that would nevertheless not be open to even the slightest suspicion of idolatry. The solution arrived at was the dual doctrine of the image.

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