000 nam a22 7a 4500
999 _c28391
_d28391
008 170828b xxu||||| |||| 00| 0 eng d
020 _a9780262035347
082 _a770
_bFAR
100 _aFarid, Hany
245 _aPhoto forensics
260 _bMIT Press;
_c2016
_aCambridge:
300 _aix, 323 p.;
_bcol. ill.:
_c23 cm.
365 _aUS$
_b75.00/ Rs. 5002.50
520 _aPhotographs have been doctored since photography was invented. Dictators have erased people from photographs and from history. Politicians have manipulated photos for short-term political gain. Altering photographs in the predigital era required time-consuming darkroom work. Today, powerful and low-cost digital technology makes it relatively easy to alter digital images, and the resulting fakes are difficult to detect. The field of photo forensics pioneered in Hany Farid’s lab at Dartmouth College restores some trust to photography. In this book, Farid describes techniques that can be used to authenticate photos. He provides the intuition and background as well as the mathematical and algorithmic details needed to understand, implement, and utilize a variety of photo forensic techniques. Farid traces the entire imaging pipeline. He begins with the physics and geometry of the interaction of light with the physical world, proceeds through the way light passes through a camera lens, the conversion of light to pixel values in the electronic sensor, the packaging of the pixel values into a digital image file, and the pixel-level artifacts introduced by photo-editing software. Modeling the path of light during image creation reveals physical, geometric, and statistical regularities that are disrupted during the creation of a fake. Various forensic techniques exploit these irregularities to detect traces of tampering. A chapter of case studies examines the authenticity of viral video and famously questionable photographs including “Golden Eagle Snatches Kid” and the Lee Harvey Oswald backyard photo.
650 _aPhotographs
650 _aInspection
650 _aIdentification
650 _aPhotography
650 _aForensic sciences
650 _aGeometric
650 _aCase Studies
942 _2ddc
_cBK