000 | a | ||
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_c30673 _d30673 |
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008 | 220322b xxu||||| |||| 00| 0 eng d | ||
020 | _a9780198816430 | ||
082 |
_a822.33 _bSKI |
||
100 | _aSkinner, Quentin | ||
245 | _aForensic Shakespeare | ||
260 |
_bOxford University Press, _c2018 _aOxford : |
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300 |
_axii, 356 p. ; _c24 cm |
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365 |
_b19.99 _cGBP _d105.90 |
||
490 | _aClarendon lectures in English | ||
504 | _aIncludes bibliographical references and index. | ||
520 | _a'Forensic Shakespeare' illustrates Shakespeare's creative processes by revealing some of the intellectual materials out of which some of his most famous works were composed. Focusing on the narrative poem 'Lucrece', on four of his late Elizabethan plays - 'Romeo and Juliet', 'The Merchant of Venice', 'Julius Caesar' and 'Hamlet' - and on three early Jacobean dramas, 'Othello', 'Measure for Measure' and 'All's Well That Ends Well', Quentin Skinner argues that there are major speeches, and sometimes sequences of scenes, that are crafted according to a set of rhetorical precepts about how to develop a persuasive judicial case, either in accusation or defence. Some of these works have traditionally been grouped together as 'problem plays', but here Skinner offers a different explanation for their frequent similarities of tone. There have been many studies of Shakespeare's rhetoric, but they have generally concentrated on his wordplay and use of figures and tropes. By contrast, this study concentrates on Shakespeare's use of judicial rhetoric as a method of argument. By approaching the plays from this perspective, Skinner is able to account for some distinctive features of Shakespeare's vocabulary, and also help to explain why certain scenes follow a recurrent pattern and arrangement. | ||
650 | _aGreat Britain | ||
650 | _aConduct of court proceedings | ||
650 | _aShakespeare, William, 1564-1616 | ||
650 | _aLiterary style | ||
650 | _aBrabantio | ||
650 | _a Cicero | ||
650 | _aClaudius | ||
650 | _a Desdemona | ||
650 | _a Elocutio | ||
650 | _aHamlet | ||
650 | _a Lago | ||
650 | _aJulius Caeser | ||
650 | _aMerchant of Venice | ||
650 | _aOthello | ||
650 | _a Polonius | ||
650 | _a Quintilian | ||
650 | _a Romeo, Juliet | ||
650 | _a Shylocke | ||
650 | _aJudicial rhetoric | ||
942 |
_2ddc _cBK |