000 a
999 _c30673
_d30673
008 220322b xxu||||| |||| 00| 0 eng d
020 _a9780198816430
082 _a822.33
_bSKI
100 _aSkinner, Quentin
245 _aForensic Shakespeare
260 _bOxford University Press,
_c2018
_aOxford :
300 _axii, 356 p. ;
_c24 cm
365 _b19.99
_cGBP
_d105.90
490 _aClarendon lectures in English
504 _aIncludes bibliographical references and index.
520 _a'Forensic Shakespeare' illustrates Shakespeare's creative processes by revealing some of the intellectual materials out of which some of his most famous works were composed. Focusing on the narrative poem 'Lucrece', on four of his late Elizabethan plays - 'Romeo and Juliet', 'The Merchant of Venice', 'Julius Caesar' and 'Hamlet' - and on three early Jacobean dramas, 'Othello', 'Measure for Measure' and 'All's Well That Ends Well', Quentin Skinner argues that there are major speeches, and sometimes sequences of scenes, that are crafted according to a set of rhetorical precepts about how to develop a persuasive judicial case, either in accusation or defence. Some of these works have traditionally been grouped together as 'problem plays', but here Skinner offers a different explanation for their frequent similarities of tone. There have been many studies of Shakespeare's rhetoric, but they have generally concentrated on his wordplay and use of figures and tropes. By contrast, this study concentrates on Shakespeare's use of judicial rhetoric as a method of argument. By approaching the plays from this perspective, Skinner is able to account for some distinctive features of Shakespeare's vocabulary, and also help to explain why certain scenes follow a recurrent pattern and arrangement.
650 _aGreat Britain
650 _aConduct of court proceedings
650 _aShakespeare, William, 1564-1616
650 _aLiterary style
650 _aBrabantio
650 _a Cicero
650 _aClaudius
650 _a Desdemona
650 _a Elocutio
650 _aHamlet
650 _a Lago
650 _aJulius Caeser
650 _aMerchant of Venice
650 _aOthello
650 _a Polonius
650 _a Quintilian
650 _a Romeo, Juliet
650 _a Shylocke
650 _aJudicial rhetoric
942 _2ddc
_cBK