000 | a | ||
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_c30913 _d30913 |
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008 | 220621b xxu||||| |||| 00| 0 eng d | ||
020 | _a9780520067462 | ||
082 |
_a823.809355 _bMIL |
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100 | _aMiller, D. A. | ||
245 | _aNovel and the police | ||
260 |
_bUniversity of California Press, _c1989 _aLondon : |
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300 |
_axv, 222 p. ; _c21 cm |
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365 |
_b31.95 _cUSD _d81.20 |
||
504 | _aIncludes bibliographical references and index. | ||
520 | _aWith the appearance of D.A. Miller's remarkable book, the Victorian novel has its most dazzling critic in years. . . . Miller's subject is not so much the police in fiction as fiction and policing, narrative as a conservative function of the polis. Tracking diverse strategies of surveillance and incarceration into the confines of the fictional institution itself, Miller investigates Victorian novels as the often unconscious agent of a disciplinary culture. He thus reads fiction reading us, keeping a public in its private place. His mastery of an intricate, layered, and sinuous argument is stunning, the writing no less than superb. For all the book's overarching debt to Foucault, D.A. Miller 'do the police' in a voice all his own. | ||
650 | _aPolitical and social views | ||
650 | _aBleak House | ||
650 | _aHistory and criticism | ||
650 | _aPolice in literature | ||
650 | _aVictorian fiction | ||
650 | _a Detective | ||
942 |
_2ddc _cBK |