000 | a | ||
---|---|---|---|
999 |
_c31180 _d31180 |
||
008 | 220730b xxu||||| |||| 00| 0 eng d | ||
020 | _a9781568984650 | ||
082 |
_a686.22 _bELA |
||
100 | _aElam, Kimberly | ||
245 | _aGrid systems : principles of organizing type | ||
260 |
_bPrinceton Architectural Press, _c2004 _aNew York : |
||
300 |
_a120 p. ; _bill., (some colors) _c22 cm |
||
365 |
_b27.50 _cUSD _d82.00 |
||
504 | _aIncludes bibliographical references and index. | ||
520 | _aAlthough grid systems are the foundation for almost all typographic design, they are often associated with rigid, formulaic solutions. However, the belief that all great design is nonetheless based on grid systems (even if only subverted ones) suggests that few designers truly understand the complexities and potential riches of grid composition. | ||
650 | _aGraphic design | ||
650 | _aGrids | ||
650 | _aTypography | ||
650 | _aAxial alignment | ||
650 | _a Bauhaus products | ||
650 | _aCircle placement | ||
650 | _aEdge Tension | ||
650 | _aGrouping | ||
650 | _aThird Law Of Hierarchy ,Typographic | ||
650 | _aLevi's Become Fashion | ||
650 | _a Negative Space | ||
650 | _aPerimeter edge | ||
650 | _a Reading Direction | ||
650 | _aVignelli, Associates | ||
650 | _aTypography | ||
650 | _aProject elements | ||
650 | _aGrid placement | ||
942 |
_2ddc _cBK |