000 | a | ||
---|---|---|---|
999 |
_c31406 _d31406 |
||
008 | 230315b xxu||||| |||| 00| 0 eng d | ||
020 | _a9780399531972 | ||
082 |
_a701 _bDEW |
||
100 | _aDewey, John | ||
245 | _aArt as experience | ||
260 |
_bPenguin, _c2005 _aNew York : |
||
300 |
_aviii, 371p.; _c21 cm |
||
365 |
_b975.00 _cINR _d1.00 |
||
504 | _aInclude index. | ||
520 | _aBased on John Dewey’s lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature. | ||
650 | _aAesthetics | ||
650 | _a Beauty | ||
650 | _aColor | ||
650 | _aCriticism, theory of | ||
650 | _aDesign | ||
650 | _aEmotions | ||
650 | _aEsthatic | ||
650 | _aFine arts | ||
650 | _aGreek culture | ||
650 | _a Harmony | ||
650 | _aHuman contribution | ||
650 | _aIndividualization | ||
650 | _aJames,William | ||
650 | _aKeats | ||
650 | _aMatise | ||
650 | _a Nature | ||
650 | _aOrganism | ||
650 | _aPainting | ||
650 | _a Perception | ||
650 | _aQualitative thought | ||
650 | _a Rhythm | ||
650 | _aSense | ||
650 | _aThinking, in Art | ||
650 | _aVan Gogh | ||
650 | _aWordsworth | ||
942 |
_2ddc _cBK |