000 a
999 _c31439
_d31439
008 230314b xxu||||| |||| 00| 0 eng d
020 _a9780062699466
082 _a791.4372
_bSAM
100 _aSammon, Paul M.
245 _aFuture noir : the making of Blade runner
260 _bDey Street Books,
_c2017
_aNew York :
300 _axxv, 594 p. ;
_bill.,
_c23 cm
365 _b16.99
_cUSD
_d85.20
520 _aRidley Scott's 1992 "Director's Cut" confirmed the international film cognoscenti's judgment: Blade Runner, based on Philip K. Dick's brilliant and troubling science fiction masterpiece Do Androids Dream of Electric Sheep?, is the most visually dense, thematically challenging, and influential science fiction film ever made. Future Noir offers a deeper understanding of this cult phenomenon that is storytelling and visual filmmaking at its best. n this intensive, intimate and anything-but-glamorous behind-the-scenes account, film insider and cinephile Paul M. Sammon explores how Ridley Scott purposefully used his creative genius to transform the work of science fiction's most uncompromising author into a critical sensation, a commercial success, and a cult classic that would reinvent the genre. Sammon reveals how the making of the original Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry at the time it was made. This revised and expanded edition of Future Noir includes : An overview of Blade Runner's impact on moviemaking and its acknowledged significance in popular culture since the book's original publication An exploration of the history of Blade Runner: The Final Cut and its theatrical release in 2007 An up-close look at its long-awaited sequel Blade Runner 2049A 2007 interview with Harrison Ford now available to American readersExclusive interviews with Rutger Hauer and Sean Young. A fascinating look at the ever-shifting interface between commerce and art, illustrated with production photos and stills, Future Noir provides an eye-opening and enduring look at modern moviemaking, the business of Hollywood, and one of the greatest films of all time.
650 _aBlade runner
650 _aMotion picture
650 _aPeerforming Arts
650 _aFilm,Science fiction
650 _aPhilip K. Dick
650 _a Hollywood
942 _2ddc
_cBK