000 a
999 _c31569
_d31569
008 230316b xxu||||| |||| 00| 0 eng d
020 _a9780823250943
082 _a741.0117
_bNAN
100 _aNancy, Jean-Luc
245 _aPleasure in drawing
260 _bFordham University Press,
_c2013
_aNew York :
300 _axiii, 116 p. ;
_c22 cm
365 _b25.00
_cUSD
_d85.90
504 _aIncludes bibliographical references. Translated from the French.
520 _aOriginally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form--of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions. Recalling that drawing and design were once used interchangeably, Nancy notes that "drawing" designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic, filmic, choreographic, poetic, melodic, and rhythmic sense. If drawing is not reducible to any form of closure, it never resolves a tension specific to drawing but allows the pleasure of drawing to come into appearance, which is also the pleasure in drawing, the gesture of a desire that remains in excess of all knowledge. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around the same questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of "sketchbooks" on drawing, composed of a broad range of quotations on art from different writers, artists, or philosophers.
650 _aArt Criticism & Theory
650 _aArt Techniques Drawing
650 _aDrawing Philosophy
650 _aAesthetics
650 _aDesire
650 _a Freud
650 _aGesture
650 _aGiles Deleuze
650 _aMimesis
650 _a Priapism
650 _a Rene Char
650 _a Sketch
650 _a Vasari
700 _aArmstrong, Philip
_etr.
942 _2ddc
_cBK