000			a
999			_c32092 _d32092
008			230510b xxu||||| |||| 00| 0 eng d
020			_a9788195055975
082			_a791.43 _bRAJ
100			_aRajadhyaksha, Ashish
245			_aJohn-Ghatak-Tarkovsky : citizens filmmakers hackers
260			_bTulika Books, _c2023 _aNew Delhi :
300			_a328 p.; _bill., col., _c23 cm
365			_b1500.00 _cINR _d01
504			_aIncludes bibliographical references and index.
520			_aIn 2015, students of the Film & Television Institute of India took cinema to the streets with a strike, which was among the first of the agitations that raged across India's universities at that time. As the right to make and show films became central to defining freedom on the campus, a new role emerged for the moving image. The names of Eisenstein and Pudovkin, John Abraham, Tarkovsky and Ghatak, recited in slogans and displayed on banners, evoked a history of political cinema that had set itself against the might of India's political establishment. This book tells the longer cinematic history of a technological and political transformation, redefining cinema amidst growing state totalitarianism and a new era in political struggle.
650			_aFilm and Media Studies
650			_aFilm History
650			_aCriticism
650			_aPopular Culture
650			_aSocial Sciences
650			_aArt Criticism
650			_aPhilosophy
650			_aPolitical Science
700			_aMirza, Saeed Akhtar
942			_2ddc _cBK